Film and Television: Amazon Prime, AppleTV+, Disney+, Kaleidescape, Max, Netflix, and Vudu. ![]() Music: Amazon Music Unlimited, Apple Music, and Tidal.The list of platforms supporting immersive is substantial, and growing: Morph between two distinct settings smoothly and seamlessly - great for sound designĪn immersive ecosystem awaits you, your creations, and your clients, and Blackhole Immersive gets you in.Use Crossfeed to blend the reverb between speakers - make a mono source truly immersive in one simple gesture.EQ the Front, Top, and Rear speakers separately to sculpt the reverb around the listener.Tilt the Gravity, Size, and Feedback parameters to quickly and easily tailor the immersive experience.This enhanced workflow gives you full control over the reverb across channels, for an evolving immersive experience - from subtle to radical. The clean and intuitive interface seamlessly fits into your projects - whether it be mixing music, post-production for film, or sound design for games. The vast range of the original fit perfectly in your mix, but now it's everywhere! Workflow Evolved Warning: taking the controls of this cosmic beast of a reverb is just plain fun. Good lesson for me going forward, especially regarding reverbs.Designed from the ground up for immersive, Dolby Atmos, and surround workflows, Blackhole® Immersive expands the signature sound of Eventide’s stereo version across your entire immersive mix. Used as a send or insert, Blackhole Immersive remains respectful yet reactive to your carefully chosen track positioning.įrom delicate ambience to massive decays, you create and shape the listener's immersed experience – what, when, and where they feel it. In love with it now and finding good use for it next to my Mercury7. But I didn’t really dive in and engage with its engine(s) from scratch till last night. Got me thinking: so much of the talk around reverbs online and many YouTube comparisons are actually commenting on & comparing the presets more than the actual engines underneath…I mean, I pretty much dismissed the RV500 shortly after I got it after I gave it a couple attempts going through the many presets and occasionally tweaking some of them a bit (funny enough I’d never approach or judge a synth that way!). Made a faux shimmer patch that blew me away, reproduced a Strymon Clouds-clone patch as seen on YouTube which sounds pretty much identical to a BigSky’s Clouds…just got lost in it. And it’s a shame, because they conceal how good the RV-500 can sound and how flexible it is!ĭamn it sounds good with tweaking!! And it really IS very tweak-able! I experimented with it next to my Mercury 7 all night (alternating, in parallel, in series) and it really blew me away. I’ve been watching patching videos for the Boss RV-500 (specifically Yuki the Synth Dragon’s videos on YouTube are great), so felt inspired to dust off my RV-500 last night and deep dive into it. ![]() Many people dig this…but that does not mean it’s for all… More like a container of ALL those nice algorithms…īut since ur more into synthesis to begin with, i guess this is no big issue in ur case…īut be warned…i also still have timefactor sometimes in use…and even given the fact that this is indeed a classic pedal fx, i get confused a lot when handling it just as intended to be a pedal fx…so h9 will be for sure even more confusing at many points…Īnd basic difference between strymon and eventide remains…strymon fx of all kind offer a more vintage vibe…like more dusty, foggy, warmer…while no matter what u do with eventides, they always keep this hi band synthetic artificial crispyness, which is their thing… Very only fact against it is, it’s not that much of a truu pedal in standard fashion… So if u wanna cover the ground of pedal fx options, h9 is the way to go… ![]() ![]() With h9 u cover all of eventides pedal fx options…including black hole and what eventide is most famous for, along all it’s other famousness…pitch 'n harmonize…too many once famous guitar players out there, who would never have been reached out to fame without a little help of pitched and arped delays…
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